The Routledge Companion to Theatre and Performance Historiography

This expertly curated collection repositions theatre and performance history and is essential reading for Theatre and Performance Studies students or those interested in social and cultural history more generally.

The Routledge Companion to Theatre and Performance Historiography

The Routledge Companion to Theatre and Performance Historiography

The Routledge Companion to Theatre and Performance Historiography sets the agenda for inclusive and wide-ranging approaches to writing history, embracing the diverse perspectives of the twenty-first century and Critical Media History. Written by an international team of authors whose expertise spans a multitude of historical periods and cultures, this collection of fascinating essays poses the central question: "what is specific to the historiography of the performative?" The study of theatre, in conjunction with the wider sphere of performance, involves an array of multi-faceted methods for collecting evidence, interpreting sources, and creating meaning. Reflecting on issues of recording — from early modern musical scores, through VHS-technology to latest digital procedures — and on what is missing from records or oblique in practices, the contributors convey how theatre and performance history is integral to social and cultural relations. This expertly curated collection repositions theatre and performance history and is essential reading for Theatre and Performance Studies students or those interested in social and cultural history more generally.

More Books:

The Routledge Companion to Theatre and Performance Historiography
Language: en
Pages: 496
Authors: Tracy C. Davis, Peter W. Marx
Categories: Performing Arts
Type: BOOK - Published: 2020-08-03 - Publisher: Routledge

The Routledge Companion to Theatre and Performance Historiography sets the agenda for inclusive and wide-ranging approaches to writing history, embracing the diverse perspectives of the twenty-first century and Critical Media History. Written by an international team of authors whose expertise spans a multitude of historical periods and cultures, this collection
Representing the Past
Language: en
Pages: 416
Authors: Charlotte M. Canning, Thomas Postlewait
Categories: Performing Arts
Type: BOOK - Published: 2010-04-15 - Publisher: University of Iowa Press

"Representing the Past is required reading for any serious scholar of theatre and performance historiography: original in its conception, global in its reach, thought-provoking and transformative in its effects."--Gay Gibson Cima, author, Early American Women Crities: Performance, Religion, Race.
Theatre/Performance Historiography
Language: en
Pages: 270
Authors: R. Bank, M. Kobialka
Categories: Performing Arts
Type: BOOK - Published: 2015-04-23 - Publisher: Springer

How do the ethical implications of writing theatrical histories complicate the historiographical imperative in our current sociopolitical context? This volume investigates a historiography whose function is to be a mode of thinking and exposes the inner contradictions in social and ideological organizations of historical subjects.
The Routledge Companion to Theatre and Performance Historiography
Language: en
Pages: 496
Authors: Tracy C. Davis, Peter W. Marx
Categories: History
Type: BOOK - Published: 2020-08-03 - Publisher: Routledge

The Routledge Companion to Theatre and Performance Historiography sets the agenda for inclusive and wide-ranging approaches to writing history, embracing the diverse perspectives of the twenty-first century and Critical Media History. Written by an international team of authors whose expertise spans a multitude of historical periods and cultures, this collection
The Methuen Drama Handbook of Theatre History and Historiography
Language: en
Pages: 392
Authors: Claire Cochrane, Jo Robinson
Categories: Performing Arts
Type: BOOK - Published: 2019-10-31 - Publisher: Bloomsbury Publishing

The Methuen Drama Handbook of Theatre History and Historiography is an authoritative guide to contemporary debates and practices in this field. The book covers the key themes and methods that are current in theatre history research, with a particular focus on expanding the object of study to include engagement with

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