More Books:

Guilty Pleasures
Language: en
Pages: 320
Authors: Deborah Fletcher Mello
Categories: Fiction
Type: BOOK - Published: 2016-04-01 - Publisher: Dafina

Former NBA star Alexander Barrett has slam dunked his career into second gear with the grand opening of his hot new gym in Boulder, Colorado. But his excitement is tempered when his estranged twin brother, MMA title holder Zachary "The Hammer" Barrett returns home from Thailand. Alex has never forgiven
Guilty Pleasures
Language: en
Pages: 150
Authors: Constance Freeman
Categories: Fiction
Type: BOOK - Published: 2006-03 - Publisher: Lulu.com

Vanessa is a beautiful young attorney with nothing but her career on her mind. She left a long-term relationship because she felt she didn't have the time to settle down. Until, she meets forbidden fruit. Dr. Preston Taylor, a handsome, young, separated yet married man that will make her forget
Guilty Pleasures
Language: en
Pages: 208
Authors: Judith Cutler
Categories: Fiction
Type: BOOK - Published: 2011-12-23 - Publisher: Severn House/ORIM

A church party turns deadly for antiques dealer Lina Townend when she thwarts a thief in this British mystery. Helping out at a church fête is about the last thing Lina Townend wants to do on a beautiful summer’s afternoon. But since the vicar is an old friend, Lina finds
Guilty Pleasures
Language: en
Pages: 273
Authors: Laurell K. Hamilton
Categories: Fiction
Type: BOOK - Published: 2009-09-17 - Publisher: Hachette UK

'I don't date vampires. I kill them.' My name is Anita Blake. Vampires call me the Executioner. What I call them isn't repeatable. Ever since the Supreme Court granted the undead equal rights, most people think vampires are just ordinary folks with fangs. I know better. I've seen their victims.
'Guilty Pleasures'
Language: en
Pages: 304
Authors: Alice Guilluy
Categories: Performing Arts
Type: BOOK - Published: 2021-11-04 - Publisher: Bloomsbury Publishing

In Guilty Pleasures, Alice Guilluy examines the reception of contemporary Hollywood romantic comedy by European audiences. She offers a new look at the romantic comedy genre through a qualitative study of its consumption by actual audiences. In doing so, she attempts to challenge traditional critiques of the genre as trite